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Based on the assumptions of the 1960's, the
attention paid to the ways in their geographical materiality was
not accompanied by sufficient research effort in order to locate
them better in history and mentalities and to understand their
significance for the people who traversed them.
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With the assistance of experts, the Institute
wishes to restart European multidisciplinary research in order to
make the cultural routes of the Council of Europe benefit more from
the richness of experience in each country.

The Via Francigena pilgrimway proposed by R. Stopani
Immaterial heritage and development
As an example, for the Via Francigena in Italy the
most frequent subject is the study of the ways themselves and of
the monuments that mark it out. The old routes taken by the
pilgrims in the Middle Ages are often regarded as the principal
witness to the historical route: whether they were later covered by
a national road, forgotten in the middle of a forest, or whether
the bridges crossing the rivers were demolished, the vanished or
forgotten roads are a paramount object of research. It is generally
the monuments related to these roads (churches, hospices, abbeys,
fortifications, works of art, etc.) that allow for the finding of
the trace. This research constitutes the specificity of a
historical cultural route, because, unlike a cultural route based
on themes born out of imagination, the historical route is
materialised geographically by a network of more or less nowadays
identifiable roads. Other researchers give more importance to the
immaterial dimension: everyday life of the pilgrims, the specific
liturgy of this pilgrimage, "chansons de geste", economic exchanges
on these roads. This kind of research is not yet much undertaken by
Italian researchers. Nevertheless, Paolo Caucci von Saucken
directed a work devoted to the immaterial heritage of Via
Francigena, and thus opened new prospects.
If one generally recognises in cultural activities
a real impact on regional planning, the latter takes another
dimension if integrated within a cultural route. Indeed, the
continuity one finds in a route makes it possible to consider
regional planning from another angle. Rather than support cultural
activities independent from each other, the local communities
concerned with the routes have the means of implementing a coherent
cultural development on the territory. It is a question of
attracting tourist flow to the territory. But it should also be
noted that it is sometimes difficult to encourage the public to
leave a site that exerts great attraction (as is the case of
Sienna, for example).
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Conversely, a less frequented centre can found its
tourist promotion on the route that crosses it: the tourist product
thus offered is more complete, more attractive (it is the position
of Parma). This also concerns the revitalisation of zones in
difficulty. This step is very often used, in particular by the
Province of Parma, the region of the Aosta Valley, which benefited
from European financing to develop cultural amenities along Via
Francigena.
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other web sites
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documents
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